Family Practice (2018)

Family Practice (2018)

Özet

"Aile Pratiği" (orijinal adıyla "Sohn meines Vaters"), Simon'ın çok eşli bir Yahudi psikiyatr olan babasıyla olan karmaşık ilişkisini konu edinen bir dram-komedi filmidir. Simon, babasıyla bir yandan nefret dolu bir sevgi beslerken, diğer yandan da kendi hayatını kurmaya çalışmaktadır.

Filmin olay örgüsü, Simon'ın annesi Agnes'in, babası Karl'ın metresi Sonja ile tatile gitmesini engellemek için Simon'ı babasının yeni kitabını yazıya geçirmeye ikna etmesiyle başlar. Anne ve babası bir nudist plajında tatil yaparken, Simon, Sonja ile çetrefilli bir kedi-fare oyunu başlatır ve giderek daha da karmaşıklaşan aile ağına dolanır.

Simon, babasının 60. doğum gününde, Şabat günü ailesini bir araya getirerek yeni kız arkadaşını tanıtmayı planlar. Ancak, her zamanki gibi, anne ve babası kendi sorunlarıyla meşguldür. Karl, sanki Simon en yakın arkadaşıymış gibi, yeni sekreteri Sonja ile halvetinden beri otuz yaş gençleştiğini söyler.

Film ilerledikçe, Simon ve Sonja arasındaki ilişki derinleşir ve bu durum, Simon'ın kız arkadaşı Fabienne ile olan uzun süreli ilişkisini tehlikeye atar. Babasının işlerini yönetirken Sonja'ya karşı bir çekim hisseden Simon, kendisini beklenmedik aşk, ihanet ve aile dinamikleriyle dolu bir olay örgüsünün içinde bulur.

Filmin sonunda, Karl yeni kitabının tanıtımını yapar ve Simon da onu desteklemek için oradadır. Sonja hamiledir ve Agnes bu duruma rağmen oğlunun babasına destek olmasından memnun olur. Film, aile üyelerinin bir araya gelip yeni doğmuş bebeği kutlamasıyla sona erer.

"Aile Pratiği", aile bağlarının karmaşıklığını, aşkın ve ihanetin doğasını ve bireylerin kendi kimliklerini bulma mücadelelerini mizahi ve dramatik bir dille ele alan bir film olarak öne çıkmaktadır.

Kaynaklar ve ilgili içerik: Family Practice (2018) - IMDb Family Practice (2018) - MUBI

"Family Practise" (2018) Filminin Senaryosu ve Kitap Kaynağına Dair Araştırma Raporu

Bu rapor, "Family Practise" (2018) adlı filmin senaryosunu ve potansiyel bir edebi kaynaktan uyarlanıp uyarlanmadığını araştırmayı amaçlamaktadır. Jeshua Dreyfus tarafından yönetilen bu film, uluslararası alanda "Family Practice" olarak bilinirken, orijinal Almanca adı "Sohn meines Vaters"dır. ¹ Bu inceleme, mevcut araştırma materyallerini analiz ederek kullanıcının filmle ilgili özel sorularını yanıtlamayı hedeflemektedir.

Film Hakkında Genel Bilgiler

Filmin uluslararası alandaki adı "Family Practice" ve orijinal Almanca adı "Sohn meines Vaters" olarak bilinmektedir. ¹ Filmin yapım yılı bazı kaynaklarda 2018 olarak belirtilse de ¹, MUBI ², Cineuropa ³ ve yapım şirketinin web sitesi ⁵ gibi çeşitli güvenilir kaynaklar 2019 yılını işaret etmektedir. Justdial ¹³ de 2019 yılını teyit etmektedir. Bu durum, filmin 2018'de prömiyer yapmış olabileceğini ancak genel gösteriminin 2019'da gerçekleştiğini düşündürmektedir.

Filmin yönetmeni ve senaristi Jeshua Dreyfus'tur. ¹ Başlıca oyuncular Dimitri Stapfer (Simon Kaufmann rolünde) ¹, Dani Levy (Karl Kaufmann rolünde) ¹, Sibylle Canonica (Agnes Kaufmann rolünde) ², Katja Kolm (Sonja Brunner rolünde) ¹ ve Miriam Joya Strübel (Fabienne Schmid rolünde) ² olarak sıralanabilir. Filmin süresi 89 dakika (1 saat 29 dakika) olarak belirtilmektedir. ¹

Film, tür olarak genellikle drama olarak sınıflandırılsa da ¹, MUBI ² komedi unsurları da içerdiğini belirtirken, Justdial ¹³ mitoloji türünü de eklemektedir. Bu farklı sınıflandırmalar, filmin dramatik ve komik öğeleri harmanlayabileceğini ve belki de daha derin ailevi veya toplumsal temaları işleyerek bazı kaynaklarda "mitoloji" olarak değerlendirilmesine yol açabileceğini göstermektedir.

Filmin konusu, çok eşli bir Yahudi psikiyatr olan babasıyla inişli çıkışlı bir ilişkisi olan Simon'ın etrafında dönmektedir. Anne ve babasının tatile gitmesiyle Simon, babasının metresiyle baştan çıkarıcı bir kedi-fare oyunu başlatır ve karmaşık aile ağının içine sürüklenir. ¹ Bazı kaynaklar, Simon'ın babasının 60. doğum gününde yeni kız arkadaşını ailesiyle tanıştırmayı planladığını da eklemektedir. ⁵ Orijinal adı olan "Sohn meines Vaters"ın "Babamın Oğlu" anlamına gelmesi ¹, filmin baba-oğul ilişkisine odaklandığını vurgulamaktadır. Babasının psikiyatr olması, aile içindeki psikolojik karmaşıklıkları tematik olarak ele alma potansiyelini taşımaktadır.

Senaryo Araştırması

Araştırma materyalleri, Jeshua Dreyfus'un filmin tek senaristi olduğunu açıkça belirtmektedir. ² Ancak, filmin tam metin senaryosunun çevrimiçi olarak doğrudan erişilebilir olup olmadığına dair bir kanıt bulunmamaktadır. Bazı URL'ler senaryo veri tabanlarına işaret etse de ²¹, "Family Practise" veya "Sohn meines Vaters" filminin senaryosunu özel olarak içerdiklerine dair bir bilgi yoktur. ⁴⁰ numaralı parçacıklar ise konuyla ilgisiz veya genel senaryo yazımı hakkındadır. Bu durum, senaristin kim olduğu bilinmesine rağmen, senaryonun tamamının şu anda çevrimiçi olarak ücretsiz bir şekilde erişilebilir olmayabileceğini göstermektedir.

Edebi Kaynak Araştırması

Araştırma parçacıkları, filmin anlatısı içinde Karl Kaufmann adlı karakter tarafından yazılmış bir kitaptan bahsetmektedir. ⁵ Annesi Agnes, babası Karl'ın metresi Sonja ile tatile gitmesini engellemek için Simon'ı babasının kitabını yazıya geçirmeye ikna eder. Bu, filmin olay örgüsünde önemli bir unsurdur. Ancak, bu durum filmin kendisinin önceden yayınlanmış bir kitaptan uyarlanıp uyarlanmadığı sorusunu yanıtlamamaktadır.

"Karl Kaufmann" adında yayınlanmış bir kitap olup olmadığını araştırmak için çeşitli kaynaklar incelenmiştir. Araştırma, farklı meslek ve ilgi alanlarına sahip birden fazla Karl Kaufmann'ı ortaya çıkarmıştır: "The Ultimate Profit Playbook" adlı bir kitabın yazarı olan bir borsa eğitimcisi ²⁷, bir Alman Nazi politikacısı ²⁹, tarihi ve dini kitaplar yazan bir Alman teolog ³¹, bir ressam ³², bir beyzbol oyuncusu ³⁵, "L na L" adlı bir Filipin romanının yazarı ³⁶, 1938'de Hamburg hakkında bir kitap yazan bir yazar ³⁷, bir hayırsever ³⁸ ve bir filozof (biyografisiyle ilgili olarak bahsedilmiştir). ³⁹

Bu farklı Karl Kaufmannların hiçbirinin uzmanlık alanı veya yayınlanmış eserleri, filmin aile draması, psikoloji (babanın mesleği göz önüne alındığında) veya çok eşlilik temalarıyla doğrudan örtüşmemektedir. Bu nedenle, mevcut araştırma materyallerine göre filmin, bu kişilerden herhangi birinin yayınlanmış bir eserinden uyarlanmış olduğuna dair doğrudan bir kanıt bulunmamaktadır.

⁵ ve ⁵ numaralı parçacıklar, ⁵ ve ⁵'ye dayanarak, filmdeki baba karakteri Karl Kaufmann tarafından yazılmış bir kitaptan bahsedildiğini doğrulamaktadır. Ancak, bu kitabın başlığı mevcut araştırma materyallerinde geçmemektedir. Filmin bir uyarlama olması durumunda, kaynak kitabın adının tanıtım materyallerinde veya özetlerde daha belirgin bir şekilde yer alması beklenirdi. Bu durum, filmin harici bir kitaba dayanmadığı, ancak film içinde kurgusal bir kitabın önemli bir olay örgüsü aracı olarak kullanıldığı fikrini güçlendirmektedir.

Hiçbir harici edebi kaynak doğrudan filmle bağlantılı olarak tanımlanmadığından, olası bir kaynak kitabın özetleri, incelemeleri veya eleştirileri de araştırma materyallerinde bulunmamaktadır.

Film ve Kaynak Materyal Arasındaki Potansiyel Farklılıklar

Harici bir edebi kaynak belirlenmediği için, bu bölüm mevcut bulgulara göre doğrudan uygulanamaz. Bahsedilen "kitap", filmin anlatısı içindedir. Gelecekteki araştırmalar potansiyel bir edebi kaynak ortaya çıkarırsa, olay örgüsü, karakterizasyon, temalar veya anlatı yapısı açısından önemli farklılıkları belirlemek için karşılaştırmalı bir analiz yapılması gerekecektir.

Senarist Hakkında Bilgiler

Jeshua Dreyfus, "Family Practise" filminin hem yönetmeni hem de senaristidir. ¹¹⁷ numaralı parçacık, Dreyfus'un önceki çalışması olan "Halb so wild"dan bahsederek deneyimli bir film yapımcısı olduğunu düşündürmektedir. ⁹ numaralı parçacık, onu "genç bir Bernli yönetmen" olarak tanımlamaktadır. ⁵ numaralı parçacıkta Marcel Gisler'in "Senaryo Danışmanı" olarak belirtilmesi, Dreyfus'un tek başına senaryoyu yazmış olmasına rağmen, yazım sürecinde işbirliği veya geri bildirim almış olabileceğini göstermektedir. ¹² numaralı parçacıklar ise Dreyfus soyadına sahip diğer kişiler veya ilgisiz konular hakkındadır. Bu bilgiler, Jeshua Dreyfus'un filmin yaratıcı sürecinde merkezi bir rol oynadığını ve senaryo geliştirme aşamasında bir danışmandan destek aldığını göstermektedir.

Filmin Yapım Süreci Hakkında Bilgiler

Senaryo yazımı sürecinde Jeshua Dreyfus'un senaryoyu yazdığı ² ve Marcel Gisler'in senaryo danışmanı olarak görev yaptığı ⁵ bilinmektedir. Mevcut araştırmaya göre, film önceden yayınlanmış bir kitaba dayanmamaktadır. Filmde bahsedilen kitap, olay örgüsünün bir parçasıdır. Bu durum, filmin büyük olasılıkla Jeshua Dreyfus'un özgün bir senaryosu olduğunu ve kişisel deneyimlerden veya aile dinamikleri üzerine gözlemlerden ilham almış olabileceğini düşündürmektedir. Filmdeki kurgusal kitap, muhtemelen tematik veya anlatısal bir rol oynamaktadır.

Sonuç

"Family Practise" (2018), orijinal adıyla "Sohn meines Vaters", Jeshua Dreyfus tarafından yönetilen ve yazılan bir İsviçre yapımıdır. Film, karmaşık aile ilişkilerini ve bir baba-oğul arasındaki sorunlu bağı konu almaktadır. Araştırma, Jeshua Dreyfus'un filmin senaristi olduğunu doğrulamakla birlikte, senaryonun çevrimiçi olarak tam metnine ulaşılamamıştır. Film, yayınlanmış bir kitaptan uyarlanmış gibi görünmemektedir. Filmde Karl Kaufmann adlı karakterin yazdığı bir kitaptan bahsedilse de, bu kitabın başlığı mevcut materyallerde yer almamaktadır ve yapılan araştırmalar, filmin konusuna uygun yayınlanmış bir esere sahip gerçek bir "Karl Kaufmann" olmadığını göstermektedir. Bu nedenle, film büyük olasılıkla Jeshua Dreyfus'un özgün bir senaryosuna dayanmaktadır ve film içindeki kurgusal kitap, anlatının önemli bir unsurunu oluşturmaktadır.

Ek Bilgi: Farklı Karl Kaufmannlar Hakkında Tablo

 

İsim	Meslek/Tanınmışlığı	İlgili Parçacık Kimlikleri
Karl Kaufman	Borsa eğitimcisi, "The Ultimate Profit Playbook" kitabının yazarı	27
Karl Kaufmann	Alman Nazi politikacısı	29
Karl Maria Kaufmann	Alman teolog, tarihi ve dini kitapların yazarı	31
Karl Kaufmann	Ressam	32
Karl Kauffmann	Beyzbol oyuncusu	35
Karl Kaufman	"L na L" adlı Filipin romanının yazarı	36
Karl Kaufmann	"Hansestadt Hamburg. Das Tor zur Welt. Ein Bildbuch" (1938) kitabının yazarı	37
Henry Kaufmann	Hayırsever (Pittsburgh ile ilgili olarak bahsedilmiştir)	38
Walter Kaufmann	Filozof (bir biyografiyle ilgili olarak bahsedilmiştir)	39
Karl Kaufmann	"Family Practise" filminde karakter, çok eşli Yahudi psikiyatr ve yazar	1, vb.

Alıntılanan çalışmalar

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59.  2022 - 2023 Research Committee Leader Spotlight - EMRA, erişim tarihi Nisan 25, 2025, https://www.emra.org/be-involved/committees/research-committee/research-leader-spotlight/2022-research-leader-spotlight

60.  Family Office's Ten Minute Interviews - Foley & Lardner LLP, erişim tarihi Nisan 25, 2025, https://www.foley.com/topic/family-offices-ten-minute-interviews/

Kaynak: https://ok.ru/video/7231181032085

1 00:00:25,560 --> 00:00:29,480 A FILM BY JESHUA DREYFUS 2 00:00:44,880 --> 00:00:48,320 <i>This is what my life looks like without my parents.</i> 3 00:00:49,000 --> 00:00:51,520 <i>I haven’t seen them in 6 months.</i> 4 00:00:56,360 --> 00:00:59,800 <i>And now ... my father is turning 60.</i> 5 00:01:01,680 --> 00:01:03,400 <i>Fabienne is curious.</i> 6 00:01:07,320 --> 00:01:11,280 <i>I can’t avoid them forever. So now’s the time.</i> 7 00:01:11,400 --> 00:01:17,320 FAMILY PRACTICE 8 00:01:27,160 --> 00:01:28,640 You’re finally here. 9 00:01:28,800 --> 00:01:30,840 You’re Fabienne? Welcome! 10 00:01:34,000 --> 00:01:37,560 Shabbat is the celebration of Shechina, 11 00:01:37,680 --> 00:01:43,600 the bride and the divine mother. She is the source of life ... Hello! 12 00:01:44,560 --> 00:01:49,320 And that’s why we thank the housewife on the day of Shabbat 13 00:01:50,240 --> 00:01:53,640 for her work during the week. 14 00:01:54,160 --> 00:01:57,200 So much for our distribution of roles in this household. 15 00:01:57,320 --> 00:01:58,880 It’s also tradition 16 00:01:59,400 --> 00:02:02,720 that on Shabbat the husband and wife 17 00:02:03,960 --> 00:02:07,720 nurture their relationship and focus on their love ... 18 00:02:08,080 --> 00:02:09,720 You of all people. 19 00:02:11,320 --> 00:02:12,640 Be kind to one another. 20 00:02:12,800 --> 00:02:16,640 Well that’s how it’s written! I don’t do this just like that! 21 00:02:47,280 --> 00:02:48,840 - No, it’s okay. - Yes? 22 00:03:39,400 --> 00:03:42,920 - What? No, he studied art. - Freddy, I draw. 23 00:03:43,520 --> 00:03:46,680 - Why? - I draw, I’m an illustrator. 24 00:03:47,120 --> 00:03:49,880 - And what do you draw? - Comics. 25 00:03:50,080 --> 00:03:52,160 So you didn’t study medicine? 26 00:03:52,280 --> 00:03:56,080 - One semester, 5 years ago. - Nothing’s getting any cheaper. 27 00:03:56,200 --> 00:03:59,480 That’s true! Don’t you want to go back to studying medicine? 28 00:03:59,640 --> 00:04:02,720 Karl you also combine your practice and your writing work. 29 00:04:02,880 --> 00:04:05,880 True. But he doesn’t want a safety net. 30 00:04:06,240 --> 00:04:11,200 I think it’s great, it’s brave! And it’s another generation, you know. 31 00:04:11,360 --> 00:04:15,120 - Thank God! - Don’t give up hope just yet. 32 00:04:15,280 --> 00:04:19,520 Simon’s one of the finalists in a well-known comics festival. 33 00:04:19,679 --> 00:04:21,160 No, really? Is that true? 34 00:04:21,280 --> 00:04:24,760 Yeah, but I’m just one of 40. Do the math. 35 00:04:25,280 --> 00:04:30,480 Hey, so what? You can win. You’re going to win. You’ll do it! 36 00:04:30,680 --> 00:04:34,360 He’ll be more famous than his dad. I've always said it! 37 00:04:35,600 --> 00:04:38,840 - Doesn’t anyone smoke here? - I gave it up 3 years ago. 38 00:04:39,160 --> 00:04:42,440 - Oh great! - They’re real artists! 39 00:04:42,800 --> 00:04:45,000 There’s always something going on! 40 00:04:48,680 --> 00:04:51,480 The images that were created there! 41 00:04:51,760 --> 00:04:53,920 For me as a hypochondriac ... 42 00:04:55,880 --> 00:04:57,600 Wait! Wait a sec! 43 00:05:01,800 --> 00:05:03,480 It runs in the family! 44 00:05:04,280 --> 00:05:07,840 Would it bother Fabienne if you came home once in a while? 45 00:05:10,800 --> 00:05:14,000 - Are you earning any money? - No, not really. 46 00:05:15,200 --> 00:05:19,000 But are you managing with what we give you? 47 00:05:19,120 --> 00:05:20,120 Yeah. 48 00:05:20,240 --> 00:05:22,560 - But it can’t be enough. - It is. 49 00:05:24,920 --> 00:05:28,600 I have an idea. You could ... Thank you, thanks. 50 00:05:29,360 --> 00:05:32,120 You could transcribe Karl’s book. 51 00:05:32,280 --> 00:05:33,960 Aren’t you doing that? 52 00:05:34,320 --> 00:05:38,600 We have to go to Cielle, the book has to be done in 2 months, the lectures ... 53 00:05:38,760 --> 00:05:42,520 No, I really can’t! Fabienne is waiting for my drawings! 54 00:05:43,800 --> 00:05:47,640 - What do you think of her? - It’s too early to say. 55 00:05:47,800 --> 00:05:50,680 - A first impression? - Yeah, she’s nice. 56 00:05:51,640 --> 00:05:54,600 - Is she a little nervous? - What? Why? 57 00:05:57,040 --> 00:05:58,400 Ah, this fish! 58 00:06:01,400 --> 00:06:03,000 She likes a drink. 59 00:06:04,280 --> 00:06:07,920 - It’s a party! - If she doesn’t make a habit of it! 60 00:06:21,680 --> 00:06:23,560 Shall I bring this out? 61 00:06:23,800 --> 00:06:26,960 Yeah. Wait. Those are the other plates. 62 00:06:39,240 --> 00:06:41,800 Who's the woman in the white blouse? 63 00:06:44,280 --> 00:06:45,320 Around 40. 64 00:06:45,960 --> 00:06:49,440 - Sonja, our new secretary? - What? At the practice? 65 00:06:50,160 --> 00:06:52,480 Yeah. You haven’t met her? 66 00:06:53,720 --> 00:06:54,720 No. 67 00:07:18,680 --> 00:07:21,680 Life begins at 60! 68 00:07:22,800 --> 00:07:24,200 You said it! 69 00:07:29,560 --> 00:07:31,160 Do you want to go home? 70 00:07:38,560 --> 00:07:39,560 Mom? 71 00:07:41,520 --> 00:07:44,800 What happened? What’s wrong, Mommy?! 72 00:07:48,440 --> 00:07:50,960 - Mommy? - Water on her forehead! 73 00:07:52,240 --> 00:07:55,760 - What happened? Simon ... - Is it happening again? 74 00:07:55,960 --> 00:07:57,400 Please, let me. 75 00:08:00,240 --> 00:08:03,040 What is it? Okay. 76 00:08:03,440 --> 00:08:06,280 Lie down! Please lie down. 77 00:08:07,720 --> 00:08:10,280 - Can I help? - Can you hear me? 78 00:08:11,560 --> 00:08:12,680 Can you hear me? 79 00:08:13,040 --> 00:08:16,760 Stay calm. Lie down. Everything’s okay. 80 00:08:17,720 --> 00:08:20,240 It’s her circulation. It’ll be fine. 81 00:08:20,400 --> 00:08:22,240 What happened? 82 00:08:22,560 --> 00:08:23,960 What are you doing? 83 00:08:24,440 --> 00:08:25,440 You silly head! 84 00:08:29,160 --> 00:08:30,960 Has this happened before? 85 00:08:33,920 --> 00:08:35,480 It’s been a while. 86 00:08:38,639 --> 00:08:41,519 - Shall I still come to yours? - Why not? 87 00:08:49,040 --> 00:08:51,160 Is that the essence of tonight? 88 00:08:52,640 --> 00:08:56,320 - What do you mean? - Your family has so much to offer! 89 00:08:57,120 --> 00:09:03,200 - Do you think you can ignore them? - Shall I draw Mom in a puddle of blood? 90 00:09:05,080 --> 00:09:06,080 Sorry. 91 00:09:40,600 --> 00:09:42,080 Hands off! 92 00:09:46,040 --> 00:09:47,080 Hey! 93 00:09:50,920 --> 00:09:52,200 You know exactly. 94 00:09:54,000 --> 00:09:56,560 You’re bringing them today! Okay? 95 00:10:47,560 --> 00:10:51,280 - More of the animal series? - No, it’s a new one. 96 00:10:54,440 --> 00:10:57,040 We agreed on something totally different. 97 00:10:57,520 --> 00:11:02,280 - I don’t really like the other idea. - And you’re telling me this now? 98 00:11:08,480 --> 00:11:09,600 - Yes? - The infrastructure 99 00:11:09,720 --> 00:11:12,600 in no way meets today’s standards. - Why not? 100 00:11:12,720 --> 00:11:15,840 - What’s wrong? - It all has to be replaced. 101 00:11:15,960 --> 00:11:18,320 - What? - The switchboard panel is asbestos. 102 00:11:18,480 --> 00:11:21,760 - It’ll have to go! - Did you bring the old sketches? 103 00:11:22,120 --> 00:11:26,400 It all has to go. And the wires running into the other room ... 104 00:11:27,240 --> 00:11:32,360 it’s all ... falling apart. The cables are broken. 105 00:11:33,800 --> 00:11:36,440 This one’s powerful. Don’t you think? 106 00:11:38,200 --> 00:11:41,840 Because there are people in it and it seems more relevant? 107 00:11:42,040 --> 00:11:46,960 It’d be something new for you, and would fit perfectly into the exhibition. 108 00:11:47,720 --> 00:11:50,080 So this is where you’re hiding! 109 00:11:55,000 --> 00:11:57,160 Wow, this is impressive! 110 00:12:02,640 --> 00:12:05,400 - Hello. Oh God! - Not worth mentioning! 111 00:12:06,240 --> 00:12:09,960 Was there a furniture restorer in here before? Can you smell that? 112 00:12:10,200 --> 00:12:14,160 Amyl acetate. The smell doesn’t fade. Do you have a second? 113 00:12:15,000 --> 00:12:16,000 What for? 114 00:12:27,280 --> 00:12:31,000 I talked to your Dad. We’ll pay you 50 francs an hour 115 00:12:31,120 --> 00:12:35,400 for the transcription. So in a week ... - Mom I don’t have time! 116 00:12:36,520 --> 00:12:39,880 - Don’t let yourself be exploited! - I’m not! 117 00:12:40,080 --> 00:12:43,120 Doesn't she have a family? She'll understand! 118 00:12:43,720 --> 00:12:46,360 Do you have to go on holiday right now? 119 00:12:47,240 --> 00:12:51,560 Listen, Karl and I, we ... need some time for each other. 120 00:12:52,480 --> 00:12:55,000 Can’t someone else do it? 121 00:12:55,920 --> 00:13:00,200 No, no one else can do it. If you don’t do it, I’ll have to. 122 00:13:00,920 --> 00:13:04,040 And he’ll go on holiday with Sonja. 123 00:13:06,200 --> 00:13:07,840 Yeah, so now you know. 124 00:13:08,120 --> 00:13:13,160 But if you need the money, he’ll let you do it and I can go away with him. 125 00:13:14,000 --> 00:13:17,560 I'm not getting involved. This is your business. 126 00:13:17,880 --> 00:13:22,600 - Don’t you be exploited. Set boundaries. - That’s why I want to go away with him. 127 00:13:22,800 --> 00:13:26,840 - So we can sort things out there. - Why can’t you sort things here? 128 00:13:30,560 --> 00:13:32,360 - Forget it! - No! 129 00:13:32,520 --> 00:13:37,400 No! Forget it! I won’t go anywhere, and I’ll do it myself. Yes! 130 00:13:47,120 --> 00:13:48,920 She’s the only thing on his mind. 131 00:13:50,200 --> 00:13:51,360 He’s under her spell. 132 00:13:53,120 --> 00:13:58,200 If they go to Cielle together ... I don’t know what else will happen. 133 00:14:00,160 --> 00:14:01,160 So? 134 00:14:03,920 --> 00:14:05,240 What should I do? 135 00:14:09,160 --> 00:14:10,240 Oh, Mom! 136 00:14:21,240 --> 00:14:23,440 We’re opening in three weeks! 137 00:14:23,600 --> 00:14:25,720 - I’ll manage! - Never! 138 00:14:26,560 --> 00:14:30,440 - Dad is screwing his secretary. - What’s new about that? 139 00:14:31,560 --> 00:14:33,800 He brings her into the house and to Shabbat ... 140 00:14:33,960 --> 00:14:38,120 - Is that sacrilegious or what? - He never dared to before! 141 00:14:42,000 --> 00:14:44,560 - The one in the black skirt? - Yes. 142 00:14:48,000 --> 00:14:53,880 - Are you responsible for your mother? - She’s going crazy. Don’t you get it? 143 00:14:54,920 --> 00:14:57,680 Well, maybe <i>she </i>will finally get it. 144 00:15:03,760 --> 00:15:07,600 - Should I find a replacement for you? - No, I’ll manage. 145 00:15:08,400 --> 00:15:09,520 It’s just a week. 146 00:15:41,480 --> 00:15:44,080 Just follow the numbers, it’s really simple. 147 00:15:44,240 --> 00:15:49,120 Sometimes I added one, like here, 2B, but other than that they’re in order. 148 00:15:49,280 --> 00:15:54,440 - And if they’re not in order, you’ll notice. - Why are the cassettes numbered? 149 00:15:54,720 --> 00:15:57,440 These numbers match those numbers, that’s the book. 150 00:15:57,560 --> 00:16:01,120 - Everything you babble on there I have to ... - Exactly. Those are my lectures, 151 00:16:01,320 --> 00:16:04,720 Q&As, interviews ... - You don’t have a manuscript? 152 00:16:04,880 --> 00:16:09,680 Simon, it’s not a problem! Don’t worry. It’s all in High German. 153 00:16:09,800 --> 00:16:13,760 And I already wrote down the time codes, all here. 154 00:16:13,880 --> 00:16:19,120 Just follow them. Watch out, the VHS have two sets of time codes: 155 00:16:19,240 --> 00:16:23,160 one at the top and one at the bottom. Follow the top one. 156 00:16:23,280 --> 00:16:24,920 That's at least a month’s work. 157 00:16:25,040 --> 00:16:30,000 That’s two weeks if you focus. Three weeks tops. Yes? 158 00:16:30,320 --> 00:16:32,800 Doctor? About the prescription ... 159 00:16:33,680 --> 00:16:35,960 Oh, yes. Oh God, no! Of course. 160 00:16:38,200 --> 00:16:39,560 Right, sorry. 161 00:16:41,400 --> 00:16:43,480 - '53. - 1953, right. 162 00:16:44,440 --> 00:16:47,440 What did we say? 200 mg, yes? That’s it. 163 00:16:49,880 --> 00:16:52,440 - All the best. - Thank you. Goodbye! 164 00:16:52,560 --> 00:16:53,600 See you. 165 00:16:57,800 --> 00:17:01,480 Sonja comes in three times a week. You know that, right? 166 00:17:02,840 --> 00:17:05,679 I can’t let Fabienne wait that long. 167 00:17:06,160 --> 00:17:08,040 What’s this with Fabienne? 168 00:17:12,080 --> 00:17:13,800 We have a project. 169 00:17:14,719 --> 00:17:17,400 - An art project? - Yeah, an art project. 170 00:17:17,520 --> 00:17:20,199 Cool. Did you see your cow by the way? 171 00:17:23,880 --> 00:17:27,600 If you don’t want to, then say so. I’ll talk to Mom and ... 172 00:17:27,719 --> 00:17:29,520 No, it’s fine. I’ll do it. 173 00:17:29,800 --> 00:17:33,080 Here's a suggestion: you do the VHS cassettes 174 00:17:33,240 --> 00:17:38,560 and then Sonja can carry on. Don’t tell Mom you’re not doing it all. 175 00:17:44,080 --> 00:17:46,480 What do you think of her by the way? 176 00:17:51,160 --> 00:17:53,040 She’s been in a bad mood 177 00:17:53,200 --> 00:17:56,560 recently, she stopped smoking. You know, me and her ... 178 00:17:56,720 --> 00:17:57,720 I know. 179 00:18:00,600 --> 00:18:05,400 I’ve never met such a great woman. I feel like I'm 30. 180 00:18:05,600 --> 00:18:09,200 - So the text files ... - And you and Fabienne? 181 00:18:10,480 --> 00:18:11,800 Is it serious? 182 00:18:17,040 --> 00:18:18,680 Yeah, I think so. 183 00:18:19,800 --> 00:18:23,000 I think it’s really great you’re transcribing these texts now. 184 00:18:23,360 --> 00:18:25,880 - You’ll do a great job. - Thank you. 185 00:18:26,280 --> 00:18:30,880 - So, should I e-mail you the chapters ... - No, give them to Sonja. 186 00:18:31,360 --> 00:18:33,680 - She’ll give them to me. - Why? 187 00:18:34,480 --> 00:18:38,400 Why? Because I think it’s good if someone rereads them. 188 00:18:39,160 --> 00:18:40,760 Here's the flash drive. 189 00:18:44,000 --> 00:18:47,400 I don’t know how I'll manage, a whole month without her. 190 00:18:47,880 --> 00:18:52,200 - Mom didn't want her in Cielle. - Mom’s so cruel, huh? 191 00:18:53,600 --> 00:18:58,120 If the organizer or the publisher call, give them <i>my </i>mobile number. 192 00:18:58,280 --> 00:19:02,200 And if you have any questions about the text call me, 193 00:19:02,560 --> 00:19:03,800 not your Dad. 194 00:19:05,600 --> 00:19:09,160 - And be careful ... - Yes? 195 00:19:09,360 --> 00:19:13,440 I don’t want her in our apartment. Make sure you always lock up. 196 00:19:28,080 --> 00:19:29,120 Take care. 197 00:19:29,720 --> 00:19:31,400 Enjoy! And have a good time! 198 00:20:01,000 --> 00:20:04,560 <i>It’s hard to make a living drawing comics.</i> 199 00:20:04,760 --> 00:20:11,000 <i>A scholarship makes it possible to focus on a book project.</i> 200 00:20:12,800 --> 00:20:14,880 They would’ve let me know. 201 00:20:17,120 --> 00:20:20,800 - If I’d won, they would’ve let me know. - They said you should come. 202 00:20:21,000 --> 00:20:23,240 <i>Let's hear who the winners are.</i> 203 00:20:23,440 --> 00:20:26,880 They said everyone should come who entered the competition. 204 00:20:27,120 --> 00:20:31,800 <i>And for the first prize, please put your hands together for Maximilian Locher.</i> 205 00:20:39,640 --> 00:20:41,280 They’ve got no idea. 206 00:20:43,320 --> 00:20:47,640 <i>- Is this your first time at Fumetto? - Yes. I was here as a visitor once,</i> 207 00:20:47,800 --> 00:20:51,480 <i>but I guess that doesn't count. - No ...</i> 208 00:20:51,640 --> 00:20:56,000 Our own exhibition is coming up. Bring me your sketches tomorrow? 209 00:20:57,120 --> 00:21:01,880 <i>This book is about the number 1 human topic:</i> 210 00:21:02,800 --> 00:21:04,560 <i>love and relationships.</i> 211 00:21:04,760 --> 00:21:09,680 <i>Love that isn’t restrictive, but liberating and meaningful.</i> 212 00:21:20,000 --> 00:21:25,000 <i>Becoming deeper and stronger over time because it’s lived in honesty.</i> 213 00:21:53,120 --> 00:21:56,000 I hope the money’s for something essential. 214 00:21:57,880 --> 00:21:59,000 What money? 215 00:22:00,000 --> 00:22:02,960 The money you’re making and so desperately need. 216 00:22:04,800 --> 00:22:06,040 How do you mean? 217 00:22:07,760 --> 00:22:11,720 Because of your money problems I couldn’t go away on holiday. 218 00:22:16,640 --> 00:22:19,880 I wouldn’t have expected too much from that holiday. 219 00:22:20,000 --> 00:22:21,040 Sorry? 220 00:22:22,400 --> 00:22:24,320 Do you know what Cielle is? 221 00:22:25,680 --> 00:22:27,200 Who’s there? 222 00:22:30,600 --> 00:22:34,280 - You know Karl’s history, don’t you? - What history? 223 00:22:37,000 --> 00:22:38,800 His relationship history. 224 00:22:47,520 --> 00:22:51,720 You think you know anything about my relationship with Karl? 225 00:22:51,880 --> 00:22:53,800 What we tell each other? 226 00:23:44,640 --> 00:23:49,120 - Not so tight. Couldn't open it last time. - Stupid crappy tap! 227 00:23:50,800 --> 00:23:53,960 - 7 litres a day, he said. - What? 228 00:23:55,120 --> 00:23:57,000 If it drips every 3 seconds. 229 00:24:11,000 --> 00:24:12,720 Now he’s starting to drool. 230 00:24:14,320 --> 00:24:15,440 Come on! 231 00:24:20,040 --> 00:24:21,880 Just think about it. 232 00:24:24,160 --> 00:24:28,400 Do you think I’ll be woman number 15 waiting in a hotel room 233 00:24:28,520 --> 00:24:31,360 for you to come by once a day for an hour? 234 00:24:34,000 --> 00:24:36,080 I’m sick of wasting my time. 235 00:24:37,720 --> 00:24:38,760 Exactly. 236 00:24:38,920 --> 00:24:42,400 Well, my dear, you have a house, a career, a family. 237 00:24:44,280 --> 00:24:45,320 I do? 238 00:24:46,400 --> 00:24:48,200 It’s always the same! 239 00:25:05,440 --> 00:25:06,480 Yes? 240 00:25:07,160 --> 00:25:08,600 <i>Hi! Everything okay?</i> 241 00:25:12,000 --> 00:25:14,480 - Normal. - <i>And at the practice?</i> 242 00:25:17,840 --> 00:25:19,840 Did you talk to Sonja? 243 00:25:24,880 --> 00:25:26,200 Yeah, she hinted that 244 00:25:26,360 --> 00:25:31,760 <i>you talked about my past. </i>- Briefly, yeah. 245 00:25:31,920 --> 00:25:33,920 <i>Yeah? About what?</i> 246 00:25:35,520 --> 00:25:36,960 Your exes. 247 00:25:38,560 --> 00:25:42,240 Simon I’d rather you didn’t talk about stuff like that. 248 00:25:46,640 --> 00:25:49,960 I do talk to her about that kind of stuff of course but ... 249 00:25:52,080 --> 00:25:55,600 she’s a lot more fragile than you’d think ... 250 00:25:55,880 --> 00:25:56,920 <i>at first.</i> 251 00:25:59,080 --> 00:26:01,560 <i>I’ll do it at my pace, okay?</i> 252 00:26:02,080 --> 00:26:04,320 - <i>Just leave her in peace. </i>- Hmm. 253 00:26:04,640 --> 00:26:05,640 Okay? 254 00:26:06,800 --> 00:26:10,880 <i>I’d say relationships nowadays call for a radical approach.</i> 255 00:26:11,760 --> 00:26:15,000 <i>Radical honesty, radical trust,</i> 256 00:26:15,560 --> 00:26:17,520 <i>radical compromise.</i> 257 00:26:17,880 --> 00:26:20,640 <i>Romantic relationships and honesty</i> 258 00:26:21,400 --> 00:26:25,960 <i>can coexist ... must coexist. You can’t have one without the other.</i> 259 00:26:26,520 --> 00:26:30,200 <i>And how far does this radical honesty go?</i> 260 00:26:32,880 --> 00:26:35,280 <i>I listen to my gut.</i> 261 00:26:49,800 --> 00:26:53,880 I don’t know how you can spend all day staring at that screen! 262 00:26:55,320 --> 00:26:57,280 And you, what are you doing? 263 00:26:58,240 --> 00:26:59,640 Patient reports. 264 00:27:01,160 --> 00:27:03,920 - For every session? - After 40. 265 00:27:05,320 --> 00:27:07,000 For you, or what? 266 00:27:09,640 --> 00:27:12,880 Aha, health insurance companies, so they keep paying? 267 00:27:13,200 --> 00:27:17,240 Right. That’s why I have to embellish things a bit. 268 00:27:17,480 --> 00:27:21,680 "The patient is very ill, needs a lot more therapy." 269 00:27:24,800 --> 00:27:29,560 The insurance companies are getting worse, with all the things they want to know! 270 00:27:30,400 --> 00:27:33,080 Kathrin calls me a pen-pusher sometimes. 271 00:27:33,720 --> 00:27:35,480 How is she doing actually? 272 00:27:37,240 --> 00:27:39,240 Why didn’t she come 273 00:27:39,400 --> 00:27:40,720 to Dad’s party? 274 00:27:42,320 --> 00:27:47,280 Ever since the thing with Sonja, she’s kept her distance from your father. 275 00:27:48,040 --> 00:27:49,080 Why? 276 00:27:50,880 --> 00:27:56,040 Well, you know ... an ex-patient as an employee ... 277 00:28:03,960 --> 00:28:06,640 But she’s doing a good job, so... 278 00:28:51,760 --> 00:28:54,400 Excuse me, you work here, don’t you? 279 00:28:54,640 --> 00:28:58,520 - Yeah, sort of, yeah. - I’m in group therapy with Dr Graf. 280 00:28:58,680 --> 00:29:02,400 and I’d like to try a private session with Dr Kaufmann. 281 00:29:02,560 --> 00:29:05,640 Well, Mrs Brunner is responsible for that. 282 00:29:07,080 --> 00:29:08,080 Here she is. 283 00:29:09,920 --> 00:29:13,200 - I’d like an appointment with Dr Kaufmann. - He’s fully booked. 284 00:29:13,320 --> 00:29:14,320 He told me that. 285 00:29:14,440 --> 00:29:19,480 But at his lecture last week he said I should make an appointment. 286 00:29:21,000 --> 00:29:23,240 Do you want to see his schedule? 287 00:29:24,520 --> 00:29:26,360 He’s really booked solid. 288 00:29:43,800 --> 00:29:46,640 I’m leaving now. I need the flash drive. 289 00:29:56,360 --> 00:29:59,360 Never mind, I’ll e-mail it to you. 290 00:30:04,480 --> 00:30:06,920 Maybe I have another one somewhere. 291 00:30:07,200 --> 00:30:11,560 - Why do I have to correct these texts? - I don’t get it either. 292 00:30:12,320 --> 00:30:16,320 Does he think I don’t have anything better to do than to read his book? 293 00:30:16,480 --> 00:30:18,480 I know exactly what you mean. 294 00:30:21,600 --> 00:30:26,240 Just because Karl lost his texts I have to transcribe the videos! 295 00:30:27,760 --> 00:30:28,800 I mean ... 296 00:30:57,640 --> 00:30:59,800 For God’s sake where are they?! 297 00:31:37,880 --> 00:31:39,480 I’m sure it’ll be fine. 298 00:31:42,000 --> 00:31:43,720 Don’t worry. 299 00:32:28,720 --> 00:32:30,000 9 percent. 300 00:32:30,880 --> 00:32:33,160 - What a rip-off! - Too late. 301 00:32:33,480 --> 00:32:35,600 - You signed already? - Yes. 302 00:32:38,760 --> 00:32:43,160 - Do you have 15 grand lying around? - Can’t you talk to the electrician? 303 00:32:43,320 --> 00:32:47,080 I have to start tomorrow, or we won't make it by the 26th. 304 00:32:49,400 --> 00:32:51,080 What are you doing now? 305 00:32:51,400 --> 00:32:53,400 Well, I'm going home to draw. 306 00:32:54,560 --> 00:32:56,120 Can I come to yours? 307 00:33:19,520 --> 00:33:21,440 <i>- Coffee? - No thanks.</i> 308 00:33:52,000 --> 00:33:53,040 Here you go. 309 00:33:53,800 --> 00:33:57,200 - Here, I found another flash drive. - Oh, thanks. 310 00:34:03,240 --> 00:34:04,720 About yesterday ... 311 00:34:07,560 --> 00:34:10,080 I mean, if for you it's not ... 312 00:34:13,200 --> 00:34:14,239 right? 313 00:34:17,319 --> 00:34:18,319 Okay. 314 00:34:21,000 --> 00:34:23,319 And about Karl ... 315 00:34:24,480 --> 00:34:26,400 We won’t tell him, okay? 316 00:34:26,880 --> 00:34:28,799 I told him already. 317 00:34:30,319 --> 00:34:33,120 Well, of course not that it was with you. 318 00:34:45,560 --> 00:34:48,920 <i>I do not believe it is a coincidence.</i> 319 00:34:50,239 --> 00:34:53,480 Are you coming? We're going to Hirschen for lunch. 320 00:34:56,440 --> 00:35:02,120 <i>Young couples often won't even look into each other's eyes during lovemaking.</i> 321 00:35:02,320 --> 00:35:04,400 Don’t forget to take a break! 322 00:35:05,800 --> 00:35:06,840 See you later. 323 00:35:12,200 --> 00:35:15,480 <i>Sometimes more than appropriate. Manipulative ...</i> 324 00:35:22,000 --> 00:35:27,400 <i>Pathological lying, as exemplified by Thomas Mann’s character ...</i> 325 00:36:14,960 --> 00:36:19,200 - Is Sonja Brunner here? - No, she’s not here. 326 00:36:20,680 --> 00:36:22,400 Can I leave this here? 327 00:36:23,440 --> 00:36:26,520 Or I also have another address. 328 00:36:29,360 --> 00:36:30,520 Plattenstrasse 6. 329 00:36:32,640 --> 00:36:35,960 - Mr Kaufmann said ... - It’s okay. I’ll take it. 330 00:36:38,600 --> 00:36:39,880 Have a good one. 331 00:36:43,280 --> 00:36:45,960 <i>THANK YOU FOR YOUR PATIENCE, FOR YOUR LOVE,</i> 332 00:36:46,120 --> 00:36:49,320 <i>FOR STANDING BY ME. WITH ALL MY LOVE, KARL</i> 333 00:37:13,600 --> 00:37:16,560 <i>Fabienne Schmid, please leave a message.</i> 334 00:37:17,080 --> 00:37:20,800 Hey, it’s me. Do you want to have lunch? 335 00:37:21,200 --> 00:37:23,480 I’ve decided to knock off early. Bye. 336 00:37:37,280 --> 00:37:39,240 Hey! What are you doing here? 337 00:37:40,120 --> 00:37:42,400 - Taking some time off. - Really? 338 00:37:43,400 --> 00:37:47,120 - And what are you guys doing? - Do you remember Max? 339 00:37:47,320 --> 00:37:48,360 Of course! Hi! 340 00:37:49,800 --> 00:37:52,600 - Hi, how are you? - We’re just talking. 341 00:37:52,920 --> 00:37:56,560 - He might do something for the exhibition. - Cool. 342 00:37:59,160 --> 00:38:01,840 We’re going over later. You coming? 343 00:38:03,240 --> 00:38:05,880 - I’ve got stuff to do. - Okay. 344 00:38:06,520 --> 00:38:08,720 - Okay ... - Okay. Hey ... 345 00:38:10,200 --> 00:38:11,800 - Bye. - Bye. 346 00:38:29,400 --> 00:38:31,280 <i>Do you know how he’s doing?</i> 347 00:38:38,440 --> 00:38:40,520 You let him live off you! 348 00:38:43,440 --> 00:38:44,720 At that age? 349 00:38:51,800 --> 00:38:53,320 Where are they? 350 00:38:55,840 --> 00:38:58,080 - The roses? - Roses? 351 00:39:05,280 --> 00:39:08,520 <i>...that in Hebrew the word for 'making love'</i> 352 00:39:08,640 --> 00:39:11,640 <i>is also the word for 'knowing each other'.</i> 353 00:39:13,880 --> 00:39:16,960 <i>Why did you give him that job even though I’m here?</i> 354 00:39:19,480 --> 00:39:21,720 Do I just have to accept it? 355 00:39:21,920 --> 00:39:26,000 <i>No, but maybe ... just look at his drawings.</i> 356 00:39:26,160 --> 00:39:28,800 <i>- They show his mental state... - How do you mean?</i> 357 00:39:28,960 --> 00:39:32,040 <i>Emotionally, Simon is a child.</i> 358 00:39:32,520 --> 00:39:36,720 <i>He draws animals like a 5-year-old, working through his traumas.</i> 359 00:39:36,920 --> 00:39:38,000 So what? 360 00:39:38,160 --> 00:39:41,760 <i>Considering how damaged he is, he’s coping well with life.</i> 361 00:39:42,000 --> 00:39:45,960 - Are you defending him now? - <i>Agnes used to be even more hysterical.</i> 362 00:39:46,120 --> 00:39:48,880 - <i>With a mother like that ... </i>- What’s that got to do with me? 363 00:39:49,000 --> 00:39:52,720 <i>Simon’s not like other people.</i> 364 00:39:52,880 --> 00:39:54,960 <i>It’s an unconscious thing.</i> 365 00:39:55,400 --> 00:39:57,560 <i>Unfortunately, he thinks he’s an artist.</i> 366 00:39:59,400 --> 00:40:01,080 Just a sec, I’ll call you back. 367 00:40:01,480 --> 00:40:02,960 What do you think you’re doing? 368 00:40:03,840 --> 00:40:05,120 You brought it on yourself. 369 00:40:47,720 --> 00:40:51,760 - I’m sure he has a great analysis of you. - Yeah, yeah! 370 00:40:53,000 --> 00:40:56,240 How do you think he evaluated you as a patient? 371 00:40:57,880 --> 00:41:00,480 How great and mentally fit you are? 372 00:41:25,560 --> 00:41:32,040 <i>- With those horns. Good idea. - You’re taking it to ...</i> 373 00:41:33,240 --> 00:41:35,360 <i>You’re almost done, right?</i> 374 00:41:35,560 --> 00:41:39,880 - You’re going to that edge? - I’m just wondering if we could ... 375 00:41:40,640 --> 00:41:45,200 carry on with one or both of them over here, so that ... 376 00:41:46,640 --> 00:41:50,800 my landscape can continue into here and something from your... 377 00:41:51,000 --> 00:41:53,200 Totally! Near the horn or so? 378 00:42:19,840 --> 00:42:22,520 - What? - Sonja says you want to quit? 379 00:42:23,400 --> 00:42:24,800 <i>Imagine!</i> 380 00:42:25,560 --> 00:42:27,160 But why all of a sudden? 381 00:42:29,840 --> 00:42:32,920 - <i>Did I miss something? </i>- You have three guesses! 382 00:42:34,520 --> 00:42:36,320 Is it because of Fabienne? 383 00:42:37,360 --> 00:42:39,000 Just forget it! 384 00:42:39,560 --> 00:42:40,560 Okay. 385 00:42:42,000 --> 00:42:43,840 Is it about the house? 386 00:42:44,360 --> 00:42:46,640 - No, no. - What is it then? 387 00:42:50,920 --> 00:42:53,880 - He doesn’t want to work anymore. - What? 388 00:42:54,480 --> 00:42:57,520 - Why not? - I don’t know. You talk to him. 389 00:42:58,160 --> 00:42:59,160 Listen! 390 00:42:59,640 --> 00:43:01,680 <i>Simon, what’s going on?</i> 391 00:43:03,160 --> 00:43:08,240 This lying shitty book! I can’t do this another minute! 392 00:43:08,360 --> 00:43:10,760 Stop talking like that! Is that clear? 393 00:43:13,600 --> 00:43:14,640 Whatever! 394 00:43:14,800 --> 00:43:18,160 - <i>I just won’t do it! </i>- For once I ask you for something! 395 00:43:18,280 --> 00:43:22,560 - <i>And you let me down! </i>- I just can’t do it anymore. 396 00:43:23,440 --> 00:43:26,520 <i>Listen, you promised.</i> 397 00:43:28,000 --> 00:43:30,160 It’s got nothing to do with you, Mom. 398 00:43:30,320 --> 00:43:33,240 Of course it does! Because we’ll come straight home if you don’t carry on. 399 00:43:35,320 --> 00:43:36,680 <i>I’m finally starting</i> 400 00:43:36,840 --> 00:43:38,960 to sleep again. I’m at my limit! 401 00:43:42,800 --> 00:43:44,520 - Hey, hi! - Hey! 402 00:43:47,120 --> 00:43:48,840 Did you hire him? 403 00:43:53,840 --> 00:43:54,880 Almost. 404 00:43:56,200 --> 00:43:58,200 - That was fast. - What? 405 00:43:58,320 --> 00:44:00,000 Replacing me. 406 00:44:03,520 --> 00:44:05,640 Now you’re drinking in the daytime? 407 00:44:06,040 --> 00:44:09,800 - Don’t you think you ... - Do we have a problem? 408 00:44:11,200 --> 00:44:13,920 Crazy how soon you found someone else! 409 00:44:14,320 --> 00:44:16,920 We’re opening in 2 weeks ... 410 00:44:17,040 --> 00:44:19,080 Maybe it suits you just fine. 411 00:44:20,880 --> 00:44:25,080 Simon, you know exactly what I think of your drawings. 412 00:44:25,360 --> 00:44:28,800 Yeah. Not really relevant, too many animals. 413 00:44:28,960 --> 00:44:34,000 It was just about you drawing something new, and evolving. 414 00:44:34,160 --> 00:44:36,720 - I’m not evolving. - And take a stand! 415 00:44:36,880 --> 00:44:39,320 I don’t take a stand, either. 416 00:44:44,000 --> 00:44:47,400 So! Just tell me! You want me gone so you and that guy can ...? 417 00:44:47,560 --> 00:44:48,600 Yes, exactly. 418 00:44:49,240 --> 00:44:50,240 Bye. 419 00:45:02,000 --> 00:45:03,000 Man! 420 00:45:05,040 --> 00:45:06,160 What's the rush? 421 00:45:26,400 --> 00:45:28,880 I’ll show you how to transcribe. 422 00:45:29,680 --> 00:45:32,040 - Where’s the key? - Which one? 423 00:45:34,520 --> 00:45:35,640 I don't know. 424 00:45:41,600 --> 00:45:45,040 Can we do this now? I don’t have all day. 425 00:45:46,560 --> 00:45:49,600 - I don’t have all day! - Where’s the key? 426 00:45:53,320 --> 00:45:55,800 Do you really want to read that now? 427 00:45:59,280 --> 00:46:01,800 Okay. But go out for a minute. 428 00:46:06,960 --> 00:46:08,720 I want the whole file. 429 00:46:45,000 --> 00:46:46,000 Hello? 430 00:46:47,080 --> 00:46:48,360 A quick question. 431 00:46:48,520 --> 00:46:51,720 Half a pill in the morning makes me feel nauseous. 432 00:46:51,840 --> 00:46:55,760 - Can I take a whole one in the evening ...? - If you like! 433 00:46:56,000 --> 00:46:57,280 Okay. Good. 434 00:46:58,400 --> 00:47:02,400 My husband thinks I'm a lot slower and ... 435 00:47:03,000 --> 00:47:07,440 a bit listless now. He’s doesn’t really agree with it. 436 00:47:07,880 --> 00:47:10,320 But I am feeling better. 437 00:47:11,560 --> 00:47:15,120 - What’s the question? - Should I keep taking it? 438 00:47:17,520 --> 00:47:19,520 What does your gut tell you? 439 00:47:20,640 --> 00:47:21,640 Yes. 440 00:47:26,560 --> 00:47:29,200 Your husband has to compromise. 441 00:47:30,080 --> 00:47:33,400 Are you going to be a psychiatrist like your father? 442 00:47:34,680 --> 00:47:36,160 Of course! 443 00:47:37,520 --> 00:47:40,480 Like so many of your tribe, right? 444 00:48:10,200 --> 00:48:11,560 Interesting, huh? 445 00:48:14,240 --> 00:48:16,920 - I could sue you for this. - For what? 446 00:48:17,880 --> 00:48:20,480 - For reading it. - I didn’t. 447 00:48:24,000 --> 00:48:25,600 I’ll put it back. 448 00:48:51,880 --> 00:48:53,320 Let's go downstairs. 449 00:49:08,840 --> 00:49:11,760 - Did you reach Signer? - Ah, no! 450 00:49:11,920 --> 00:49:17,080 I need the list of participants for the weekend. You know the one I mean. 451 00:49:17,240 --> 00:49:19,520 - Okay. - Is everything else okay? 452 00:49:19,680 --> 00:49:20,720 Yeah yeah. 453 00:49:22,280 --> 00:49:26,440 - Dr Graf? - Mrs Jankovich, yes exactly, 10 minutes! 454 00:50:33,200 --> 00:50:36,000 No, no! Come to me! Come here! 455 00:51:13,440 --> 00:51:14,800 I’m going home. 456 00:51:59,080 --> 00:52:01,520 Will you come and visit me sometime? 457 00:52:02,400 --> 00:52:03,400 Sure. 458 00:52:52,680 --> 00:52:54,560 Are you coming tonight? 459 00:52:54,880 --> 00:52:56,960 - Where? - The Thai bar. 460 00:52:58,320 --> 00:52:59,960 Is it Friday already? 461 00:53:15,000 --> 00:53:17,120 How are things at the gallery? 462 00:53:18,400 --> 00:53:19,400 Good. 463 00:53:19,840 --> 00:53:22,400 We’re hanging the pictures, trying things out. 464 00:53:23,400 --> 00:53:24,400 It’s good. 465 00:53:26,400 --> 00:53:27,480 And this guy Max? 466 00:53:29,320 --> 00:53:30,360 What’s he like? 467 00:53:31,160 --> 00:53:32,320 He’s cool. 468 00:53:35,000 --> 00:53:36,000 Good. 469 00:53:40,040 --> 00:53:41,160 And ... 470 00:53:42,240 --> 00:53:45,000 Fabienne is really working with him now? 471 00:53:47,920 --> 00:53:49,000 Yeah, totally. 472 00:53:50,120 --> 00:53:51,120 Completely. 473 00:53:54,480 --> 00:53:55,480 Cool. 474 00:53:58,240 --> 00:54:00,400 Why aren’t you doing anything? 475 00:54:03,800 --> 00:54:06,440 Don’t know. Don’t feel like it. 476 00:54:10,040 --> 00:54:11,200 What do you mean? 477 00:54:12,840 --> 00:54:15,000 No idea. It’s just ... 478 00:54:15,480 --> 00:54:19,080 such a grind, you know what I mean. Drawing ... 479 00:54:21,280 --> 00:54:25,760 New stuff all the time. I don't know. Maybe I’ll stop altogether. 480 00:54:27,240 --> 00:54:28,240 Really? 481 00:54:35,880 --> 00:54:37,760 And at home? Your family? 482 00:54:38,400 --> 00:54:41,280 - What about it? - Everything okay? 483 00:54:45,000 --> 00:54:47,640 Same madhouse as always. The usual. 484 00:54:52,000 --> 00:54:53,960 Nothing worth talking about. 485 00:55:00,560 --> 00:55:02,040 <i>Always you!</i> 486 00:55:04,600 --> 00:55:08,000 <i>The dreamy sound of your voice!</i> 487 00:55:12,440 --> 00:55:15,360 <i>In the middle of a July night,</i> 488 00:55:15,600 --> 00:55:19,000 <i>this is serious, I’m delirious.</i> 489 00:55:27,680 --> 00:55:30,360 <i>Nothing’s the same anymore.</i> 490 00:55:31,640 --> 00:55:35,040 <i>Thursday, the day to say "I love you" and be true.</i> 491 00:55:41,120 --> 00:55:45,640 <i>My eighth and ninth love that's you!</i> 492 00:55:46,280 --> 00:55:49,800 <i>When you gently take me in your arms.</i> 493 00:55:51,200 --> 00:55:55,320 <i>One day without you leaves me lost for what to do!</i> 494 00:55:56,120 --> 00:55:58,560 <i>My tenth love that’s you!</i> 495 00:55:59,000 --> 00:56:01,080 <i>Only ever you!</i> 496 00:56:03,400 --> 00:56:08,080 <i>Nothing’s the same anymore.</i> 497 00:56:11,040 --> 00:56:15,960 <i>Neither places nor thoughts, neither things nor people.</i> 498 00:56:18,640 --> 00:56:21,880 <i>Neither places nor thoughts or words</i> 499 00:56:22,000 --> 00:56:24,040 <i>nothing’s the same anymore.</i> 500 00:56:26,880 --> 00:56:29,520 <i>In the middle of a July night,</i> 501 00:56:29,720 --> 00:56:33,360 <i>this is serious, I am delirious.</i> 502 00:56:48,600 --> 00:56:49,600 Hi. 503 00:56:50,240 --> 00:56:51,240 Hey. 504 00:56:53,640 --> 00:56:56,560 <i>Thursday, the day to say "I love you" and be true.</i> 505 00:57:12,480 --> 00:57:14,400 I slept with Sonja. 506 00:57:32,600 --> 00:57:33,920 Where are you going? 507 00:57:34,080 --> 00:57:35,400 What do you want? 508 00:57:37,600 --> 00:57:39,320 Can’t we talk about it? 509 00:57:40,400 --> 00:57:41,400 Okay. 510 00:57:46,160 --> 00:57:48,320 Do you have anything to tell me? 511 00:57:57,320 --> 00:57:58,800 I ... can't think ... 512 00:58:01,000 --> 00:58:02,000 of anything. 513 00:58:08,000 --> 00:58:10,240 So where do we go from here? 514 00:59:04,120 --> 00:59:06,360 <i>Sonja Brunner: Is that you?</i> 515 00:59:11,200 --> 00:59:14,160 <i>- This thing really works. - What does?</i> 516 00:59:14,320 --> 00:59:16,920 <i>This chat thing. It's Friday night. You’re not out with friends at your age?</i> 517 00:59:23,720 --> 00:59:27,000 <i>You don't go out on Shabbat.</i> 518 00:59:34,440 --> 00:59:38,480 <i>You can celebrate Shabbat at my place, too.</i> 519 01:00:44,720 --> 01:00:45,920 Come in. 520 01:02:05,040 --> 01:02:06,680 I want you inside me. 521 01:02:35,520 --> 01:02:38,960 I don’t have a goblet, and only regular bread. 522 01:02:39,080 --> 01:02:42,800 Is that a problem? Does it even have to be challah? 523 01:02:44,160 --> 01:02:47,000 No, it’s not a problem. 524 01:02:57,240 --> 01:02:59,640 Sorry, I only have his. 525 01:04:33,840 --> 01:04:37,320 <i>There’s no breakfast in the house. Gone shopping, back soon. S.</i> 526 01:05:00,920 --> 01:05:01,960 Hi. 527 01:05:10,000 --> 01:05:11,240 Is Sonja around as well? 528 01:05:16,760 --> 01:05:20,080 I ... wanted to pick up something. 529 01:05:29,480 --> 01:05:30,520 Uh, I ... 530 01:05:33,360 --> 01:05:34,880 Why are you here? 531 01:05:38,200 --> 01:05:40,600 It’s actually my apartment. 532 01:05:53,160 --> 01:05:55,960 Sonja wants a baby. You know that, right? 533 01:06:00,000 --> 01:06:03,800 It was one of the reasons why we were having problems. 534 01:06:03,920 --> 01:06:04,920 Nice. 535 01:06:16,520 --> 01:06:18,280 We’re back. 536 01:06:26,640 --> 01:06:31,800 I just wanted to come by quickly to talk about how we should ... 537 01:06:40,640 --> 01:06:41,960 Did you sleep well? 538 01:06:58,400 --> 01:07:01,480 Simon. Please talk to your mother. 539 01:07:02,120 --> 01:07:04,760 For her this whole thing is ... 540 01:07:05,520 --> 01:07:08,800 not so easy. - Stop talking such bullshit. 541 01:07:14,160 --> 01:07:17,480 Okay, I’ll leave you to it. 542 01:07:40,080 --> 01:07:41,480 Was he here for long? 543 01:07:44,720 --> 01:07:48,880 - What did you tell him? - Looks like you told him already. 544 01:07:50,120 --> 01:07:53,000 Yeah, but he was so weird. 545 01:07:57,000 --> 01:07:59,320 - Should we talk to him? - For you it's all about him. 546 01:08:00,680 --> 01:08:01,680 What? 547 01:08:03,280 --> 01:08:04,320 And for you? 548 01:09:31,079 --> 01:09:32,160 Shut up! 549 01:10:05,840 --> 01:10:07,520 - <i>Yes? </i>- What are you doing? 550 01:10:09,280 --> 01:10:13,400 - Does she really want to kill herself? - Simon wouldn't know that! 551 01:10:13,520 --> 01:10:17,800 - Sorry. Sonja is ... - Can you just be quiet please? 552 01:10:18,000 --> 01:10:22,480 <i>- She’s threatening your father. - Agnes! Sonja’s been suicidal before.</i> 553 01:10:22,600 --> 01:10:25,720 <i>This is a serious threat. Simon doesn’t know that.</i> 554 01:10:25,880 --> 01:10:27,960 - But you know it, right? - Yes, of course. 555 01:10:29,760 --> 01:10:30,800 Listen, Simon, 556 01:10:30,960 --> 01:10:32,880 <i>is she playing one of her games?</i> 557 01:10:33,000 --> 01:10:35,520 - I don’t know what you’re ... - <i>I'm going to her.</i> 558 01:10:35,640 --> 01:10:39,440 - If you leave now I'm gone for good. - Agnes, please! 559 01:10:39,800 --> 01:10:44,160 No drama. I’ll be held responsible if she goes through with it. 560 01:10:44,680 --> 01:10:45,680 Okay? 561 01:10:57,400 --> 01:10:59,440 - <i>Mommy? </i>- Simon? 562 01:11:02,520 --> 01:11:07,040 What did you do!? Somehow it’s all falling apart. 563 01:11:08,160 --> 01:11:09,320 <i>Listen ...</i> 564 01:11:10,480 --> 01:11:11,480 Mom? 565 01:11:31,640 --> 01:11:33,760 <i>You have reached ...</i> 566 01:11:48,200 --> 01:11:50,560 You can leave again right now. 567 01:11:58,560 --> 01:12:00,520 No, don't touch me! 568 01:12:12,280 --> 01:12:13,680 I'm sorry. 569 01:12:21,520 --> 01:12:25,600 We need some distance from each other. This isn’t healthy any more. 570 01:12:26,600 --> 01:12:29,960 I left home when I was 17. And you’re still here. 571 01:12:33,880 --> 01:12:37,320 - You always want me to come! - No. 572 01:12:40,000 --> 01:12:43,160 We just worry about you sometimes. 573 01:12:43,800 --> 01:12:45,920 But you’re an adult now. 574 01:12:48,680 --> 01:12:51,160 So you don’t actually want me to come? 575 01:12:54,520 --> 01:12:56,480 Do you even know how I’m doing? 576 01:13:06,440 --> 01:13:08,800 Come to me! Come here. 577 01:13:12,240 --> 01:13:13,400 Yes, come here! 578 01:13:18,800 --> 01:13:20,120 You know what? 579 01:13:22,640 --> 01:13:26,560 I give him so much freedom but he still lies to me. 580 01:13:28,080 --> 01:13:29,880 Do you even love me? 581 01:14:04,400 --> 01:14:07,800 <i>- But these are better anyway. - I need another 6.</i> 582 01:14:08,600 --> 01:14:09,640 <i>Perfect.</i> 583 01:14:11,080 --> 01:14:14,240 I’ll hang them the way I was thinking. Then you can tell me 584 01:14:14,720 --> 01:14:16,840 if I should change anything. 585 01:14:21,000 --> 01:14:22,640 I’m so sorry. 586 01:14:24,360 --> 01:14:26,000 You were right. 587 01:14:31,040 --> 01:14:32,080 Get out! 588 01:14:36,000 --> 01:14:38,840 - Please Fa, can we talk? - No. 589 01:14:38,960 --> 01:14:40,000 Please! 590 01:14:42,720 --> 01:14:44,080 I’ll be outside. 591 01:14:49,120 --> 01:14:52,880 It was damn mistake, okay? 592 01:14:54,240 --> 01:14:58,000 - It didn’t mean anything. I only want you. - ‘Didn't mean anything’? 593 01:14:58,720 --> 01:15:00,880 With your Dad’s lover? 594 01:15:02,840 --> 01:15:04,120 I know. 595 01:15:04,560 --> 01:15:07,400 - You don’t know shit. - Yes, I do now! 596 01:15:07,520 --> 01:15:11,280 - You’ve got no clue what's up with you. - You did it with Max, too! 597 01:15:11,440 --> 01:15:12,640 What did I do? 598 01:15:14,200 --> 01:15:16,400 Is that what you think? Huh? 599 01:15:18,320 --> 01:15:21,560 - Are you serious? - You didn’t? 600 01:15:22,960 --> 01:15:24,880 You’re such a baby! 601 01:15:26,520 --> 01:15:28,000 Fabienne, please! 602 01:15:37,360 --> 01:15:39,880 - Get away from me! Leave me alone! - Please! 603 01:15:40,080 --> 01:15:43,640 I don’t want anything to do with you anymore! Leave me alone! 604 01:15:45,480 --> 01:15:46,560 Go! 605 01:17:24,160 --> 01:17:26,760 The question is, what does it mean? 606 01:17:30,840 --> 01:17:34,040 He just woke up. Okay. See you later! 607 01:17:37,240 --> 01:17:38,400 Good morning! 608 01:17:43,480 --> 01:17:44,560 How are you? 609 01:17:48,000 --> 01:17:49,880 Are your ears better? 610 01:17:51,720 --> 01:17:53,960 So the Seroquel is working, then? 611 01:17:59,040 --> 01:18:00,680 Last year I was 612 01:18:00,880 --> 01:18:05,400 lying up there when I had the infection after the surgery. 613 01:18:06,600 --> 01:18:09,000 When I had my vasectomy. 614 01:18:12,120 --> 01:18:15,120 I’m sorry I didn’t come sooner. 615 01:18:15,360 --> 01:18:17,400 My life is in total chaos. 616 01:18:19,280 --> 01:18:23,560 But you had visitors, the nurse said. 617 01:18:29,080 --> 01:18:30,560 Who came? 618 01:18:32,280 --> 01:18:33,280 Mom? 619 01:18:36,680 --> 01:18:38,040 How is she? 620 01:18:40,880 --> 01:18:42,960 Where did she spend the night? 621 01:18:51,000 --> 01:18:53,160 Did she say anything about me? 622 01:19:06,160 --> 01:19:08,600 I can't just be with her. 623 01:19:10,160 --> 01:19:11,840 Sonja needs me, too. 624 01:19:13,800 --> 01:19:16,160 Maybe you can tell her that. 625 01:19:17,920 --> 01:19:19,600 She listens to you. 626 01:19:32,840 --> 01:19:34,520 She has only suffered. 627 01:19:36,720 --> 01:19:39,200 - How do you mean? - Because of you! 628 01:19:48,160 --> 01:19:49,240 No way! 629 01:20:02,720 --> 01:20:04,280 Do you really think so? 630 01:20:18,160 --> 01:20:21,720 She ... wants so little closeness. 631 01:20:23,280 --> 01:20:25,200 And I'm not a monk. 632 01:20:30,840 --> 01:20:34,560 But she’ll always be my number 1! Always! 633 01:20:36,200 --> 01:20:38,600 She’s the mother of my son! 634 01:21:16,680 --> 01:21:22,000 LOVE – a real UTOPIA 635 01:21:29,880 --> 01:21:33,640 "Just because man has never been able to cultivate this 636 01:21:33,840 --> 01:21:37,880 incomprehensible thing called love for any length of time. 637 01:21:38,720 --> 01:21:43,840 Too much fear and too little courage inhibit them. 638 01:21:44,000 --> 01:21:47,640 If they could cultivate love, laws and patterns would become 639 01:21:47,760 --> 01:21:48,800 superfluous. 640 01:21:50,960 --> 01:21:55,120 Unconditional trust, affectionate sharing and togetherness, 641 01:21:55,240 --> 01:21:58,760 these would be the dominant traits of coexistence. 642 01:21:59,800 --> 01:22:03,720 Relationships would also no longer need a form. 643 01:22:04,000 --> 01:22:08,040 But what does a relationship without form look like?” 644 01:22:10,600 --> 01:22:13,280 This you’ll find out in chapter 4. 645 01:22:13,800 --> 01:22:16,960 That was a first impression. Thank you all very much. 646 01:22:21,360 --> 01:22:24,880 You came after all. Do you think it’ll do you good? 647 01:22:27,240 --> 01:22:28,920 How’s university? 648 01:22:29,200 --> 01:22:34,000 Are you dissecting frogs? A different crowd than human medicine, right? 649 01:22:36,920 --> 01:22:38,520 Simon, what's up? 650 01:22:38,720 --> 01:22:41,560 I would like to thank two people. 651 01:22:41,680 --> 01:22:45,520 For one, Agnes Kaufmann. Agnes, come up here. 652 01:22:45,640 --> 01:22:46,800 No, no. 653 01:22:50,440 --> 01:22:53,200 As always a great help. Thank you. 654 01:22:53,680 --> 01:22:56,600 And ... Sonja Brunner! 655 01:23:03,040 --> 01:23:05,440 Sonja, with her tough, 656 01:23:05,560 --> 01:23:10,160 skeptical questions, always ... - Do you think it's easy for me to watch? 657 01:23:10,680 --> 01:23:11,960 You don't have to. 658 01:23:14,160 --> 01:23:16,880 Will <i>you </i>make sure that kid grows up properly? 659 01:23:17,080 --> 01:23:21,840 And the lecture series starts next month in Altenburg. 660 01:23:22,120 --> 01:23:25,600 - Is that right, Agnes? Altenburg? - Yes! 661 01:23:26,520 --> 01:23:28,000 In Altenburg, yes. 662 01:23:28,240 --> 01:23:34,640 Well, then let me just say, let’s start living this real utopia. 663 01:25:05,240 --> 01:25:09,240 Your Mom said you weren’t sure about your studies. 664 01:25:32,120 --> 01:25:34,640 If you ever have one of those little guys, 665 01:25:34,800 --> 01:25:38,480 you’ll see it was the right decision. 666 01:25:52,480 --> 01:25:55,360 - Simon, come on! - Yes, come on! 667 01:25:59,600 --> 01:26:01,680 And cheese! 668 01:26:02,240 --> 01:26:03,680 To Karl! 669 01:28:41,720 --> 01:28:46,800 Subtitles: spot-on subtitling nicole bucher Translation: Joanne Glättli